“Until lions have their own historians, tales of the hunt will glorify the hunter”
                                                                                                                                                                                                                 -Chinua Achebe



“Are you there, mother?”

I stand motionless, waiting for her response.  I ache in the memory of her. Silence. 

I gave myself three days.

On the first day, I pray. On the second day, I hope. On the third day, I release water and with it comes a revelation of my responsibility. On the third day, I create.

On the fourth day, Mother is near. Her calls bear the rush of a thousand storms. My gaze is fixed forward, I am listening.

I am her and she is I, we are as one. Born of her magic, Mother is the reason I create. Our mother is the reason that I love.

She runs her fingers across our world and whispers: “ They have forgotten their own name. They have neglected their source. They have labeled themselves different from me. They have defiled my daughters and I have slept in the depths of the bloodied soil. Now, I must awake in you so that my children will remember me. This is why I gave you my image and my strength. Show them my image, so they remember."



When Lewinale  Havette was ten, She left her home in Liberia to live in the United  
States. Her mother told her and her sisters to carry their culture with them and remember the roots that sustain them.

As time passed, Havette understood the study of Mitochondrial Eve (also mt-MRCA) , and the single-origin hypothesis. Both are the scientific understandings of the genesis and migration of modern humans. Her work stems from her development and understanding of this as she uses photography, raw diamonds, paint and ink to focus on human history, traditions, and relationship with women and the mother continent.

                                   Originally, Lewinale was drawn to making portraits of interracial and intercultural couples, living in the United States. As she dug deeper, she began her representational works.

In both contemporary and traditional ways, Havette tells a story of the stolen splendor that existed (and partly still exists), free of the dominant ideology of patriarchy and prior to Western  colonialism. Through her work, she marries art, history and science. She uses symbols and meditations on ideas of old culture, new culture,  African Americans’ relationship to water,  and life through birth.  Lewinale Havette examines female spiritual and sexual capabilities and the forced suppression and ignorance of said capabilities. She questions the beliefs, behaviors, fears and influences which form our human relationships and the way in which we view otherness.


                                                         PAST SHOWS 


UNITED STATES, ATLANTA: OPEN STUDIOS, The Goat Farm Arts Center, Atlanta,Georgia (2018) 

 UNITED STATES, ATLANTA: AFRICA BELLE, Alliance Française d'Atlanta, Atlanta,Georgia (2018) 

 UNITED STATES, ATLANTA: The Immortals Collection at 5CHURCH, 5CHURCH, Atlanta, Georgia (2018) 

ITALIA : THE BODY LANGUAGE, group show, The ROOM art gallery, Venice Italy (2018) 

ITALIA : CONTEMPORARY VENICE, group show, The ROOM art gallery, Venice Italy (2017)

UNITED STATES : UNICEF NEXT GENERATION, group show, Atlanta Georgia (2017)